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	<title>Score Enthusiast &#187; Nathan Barr</title>
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	<link>http://scoreenthusiast.com</link>
	<description>A Blog for Film Score Fans</description>
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		<title>Nathan Barr&#8217;s True Blood CD Coming Soon</title>
		<link>http://scoreenthusiast.com/2009/08/16/nathan-barrs-true-blood-cd-coming-soon/</link>
		<comments>http://scoreenthusiast.com/2009/08/16/nathan-barrs-true-blood-cd-coming-soon/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 06:12:53 +0000</pubDate>
		<dc:creator>David</dc:creator>
				<category><![CDATA[Nathan Barr]]></category>
		<category><![CDATA[New Release]]></category>

		<guid isPermaLink="false">http://scoreenthusiast.com/?p=736</guid>
		<description><![CDATA[
Woo-hoo.  Nathan Barr&#8217;s original score for the HBO series True Blood can now be pre-ordered over at the Varèse Sarabande website .  The score CD will be available and ship on or after September 8th.  I was a bit annoyed by everyone&#8217;s fascination over this vampire show, but I knew I had to give the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-751 alignnone" src="http://scoreenthusiast.com/wp-content/uploads/2009/08/True-Blood.jpg" alt="True-Blood" width="474" height="317" /></p>
<p>Woo-hoo.  Nathan Barr&#8217;s original score for the HBO series <em>True Blood</em> can now be pre-ordered over at the <a href="http://www.varesesarabande.com/details.asp?pid=vsd-302-066-984-2" target="_blank">Varèse Sarabande website</a> .  The score CD will be available and ship on or after September 8th.  I was a bit annoyed by everyone&#8217;s fascination over this vampire show, but I knew I had to give the show a chance with Creator and Executive Producer Alan Ball behind the wheel.  I love his work. I&#8217;m currently renting Ball&#8217;s other fabulous series <em>Six Feet Under</em>, which ran on HBO for 5 seasons and won numerous awards.</p>
<p>I&#8217;m not quite sure if I like <em>True Blood</em>, but apparently it&#8217;s good enough for me, since I&#8217;m eagerly awaiting the next disc to come in the mail.  Parts of the show are ridiculously campy and silly, but I love the show&#8217;s characters, especially that feisty Tara.  The series&#8217; haunting score, fitting perfectly with the show&#8217;s swampy backwoods setting,  is composed and <a href="http://www.imdb.com/name/nm0056550/bio" target="_blank">performed by Nathan Barr</a>.  After working as an assistant to Hans Zimmer on the films <em>As Good as It Gets</em> and <em>The Prince of Egypt</em>, Barr has ended up scoring over 24 feature films including, <em>The Dukes of Hazzard</em>, <em>Cabin Fever</em>, <em>Hostel 1</em> and <em>2</em>, and <em>Shutter</em>.  This guy is so talented and I hope to see many more projects from him.  I&#8217;m glad his work was honored at the <a href="http://www.imdb.com/name/nm0056550/bio" target="_blank">BMI Film and Television Awards</a> this year.</p>
<p>Clips of the True Blood score from season one can be heard on his <a href="http://www.nathanbarr.com/TrueBlood.html" target="_blank">official website</a>.</p>
<p><a rel="lightbox" href="http://scoreenthusiast.com/wp-content/uploads/2009/08/True-Blood-CD-Cover.jpg"><img class="size-full wp-image-737 alignright" src="http://scoreenthusiast.com/wp-content/uploads/2009/08/True-Blood-CD-Cover.jpg" alt="" width="268" height="268" /></a>Track List:</p>
<p>1. Take Me Home Vocal by Lisbeth Scott (2:33)<br />
2. Hairclip (1:45)<br />
3. Bill’s Lament (1:07)<br />
4. Gran’s Story (1:51)<br />
5. Bill’s Entrance (1:28)<br />
6. First Taste (1:22)<br />
7. Tara In The Pool (1:23)<br />
8. Tripping (1:42)<br />
9. Tara And Mother (1:06)<br />
10. Grieve to Grave to Groove (3:15)<br />
11. The Tribunal (2:32)<br />
12. Amy’s Goodbye (2:12)<br />
13. Bill And Sookie Together (2:24)<br />
14. Priapism (2:15)<br />
15. More Than You Can Imagine (1:43)<br />
16. The Cabin (5:22)<br />
17. The Funeral (2:36)<br />
18. Sancto Erico Vocals by Lisbeth Scott &amp; Nathan Barr (1:39)<br />
19. Bill And Sookie’s Reunion (1:23)<br />
20. Jason And Amy (2:17)<br />
21. Love Theme Piano by Lisbeth Scott (2:57)</p>
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